top of page
Search

Are you Stuck in Performance Mode?

Jul 7
3 min read

Did you know that ‘performance’ has a sound? At least, it does for me. It’s the sound of a stunted inhale that catches high in the chest, just under the collarbone, before I walk into a room. It’s my voice climbing half a register higher or speaking twice as fast as where it actually wants to live. It’s the occasional need for an extra loud sigh, as if trying to settle into a place just out of reach.


You’ve done it. I’ve done it. We’ve built whole identities out of it.


Before going further, a little clarification on what I mean by performance: I don’t mean the kind that happens on a stage or in a sporting competition. I mean the quieter, more constant kind that each of us does without even noticing — the small adjustments we make to become whoever we sense is wanted in the room. The version of us that monitors itself into existence, moment by moment and is often learned in childhood. It was a coping mechanism and it wasn’t wrong to want to feel safe. The problem is, many of us keep on performing and forget what our authentic self even sounds like, feels like.


Authentic alignment, doesn’t announce itself the same way. It’s quieter, slower, harmonious in the body. And it often feels like you’re doing nothing, which makes the busy mind question if you’re doing enough and unfortunately can just as quickly put you right back out to performance mode. It’s worth noting that working on letting go of the performative layers can also feel extremely vulnerable, scary even. So going slow and focussing on keeping the nervous system regulated is key.


Right now — where is your breath?

Not where you think it should be, but where it actually is. Can you simply observe without judgement or overthinking, is it high and shallow? low, unhurried? Can you feel the breath expanding your ribs in your back body? What does your breath sound like?


There’s no wrong answer. Just notice. That’s the whole practice.

•

Here’s what I’ve come to know, in my body more than in my mind: performance and alignment aren’t opposites. One isn’t fake and the other real. They’re two different states — two different ways your nervous system organizes itself around being seen.

Performance can feel like bracing. It’s a body getting ready to protect itself. Shoulders creeping toward ears. Jaw tight. The body does not feel free, it feels restricted or held in some way.

When in alignment the body will feel more fluid, flexible, at ease and expansive - not only in movement and posture, but in breath as well.

You already know the difference. You’ve felt both. Maybe in the same week. Maybe in the same hour.


Right now — where are your shoulders? Is there room for them to drop down or move back, just a little more?

•

I used to think the work was choosing alignment over performance, like flipping a switch. Discipline. Willpower. Just be authentic.

The body doesn’t take orders like that, logic or demanding it to change just doesn’t work. You can’t think your way out of a dysregulated state, its literally not possible. But you can create the conditions where the nervous system feels safe enough to stand down on its own. And it all starts with the ability to become aware.


Right now — is there anywhere in your body that is bracing for what comes next in your day?

Notice where you feel the most tension in your body and see if you can let that spot soften, just slightly. Not force it open. Just let it know it doesn’t have to carry the entire load.

•

Performance isn’t a character flaw — it’s armor your body built for good reason, in rooms where being fully yourself wasn’t safe. I’m not asking you to throw the armor away. I’m asking you to notice when you’re still wearing it in rooms where you don’t need to anymore. And perhaps when the time is right, to go a little deeper and notice where and when the armor still feels needed and why.


Right now — one more time. Where is your breath?

If something shifted between the first time I asked you to notice your breath and now, that shift — that small, unannounced loosening — is the whole essay. Everything else is just words pointing at it, and your ability to change it.




 
 
 

Comments


bottom of page